One of the most consistent R&B aggregations of the '70s, the Moments enjoyed a string of major hits throughout the decade. The Hackensack, NJ, trio introduced themselves and the Stang label with "Not on the Outside" in 1968, and topped the R&B charts in 1970 with the gold-plated "Love on a Two-Way Street," produced by Sylvia Robinson (one half of Mickey & Sylvia). Other major soul smashes by the Moments included "If I Didn't Care" and "All I Have" in 1970, "Sexy Mama" in 1973, and another number one R&B item, "Look at Me (I'm in Love)," in 1975. Members Harry Ray, Al Goodman, and William Brown changed their billing to Ray, Goodman & Brown in 1978 and topped the soul lists the next year with the slickly harmonized "Special Lady" on Polydor. The renamed trio remained potent soul hitmakers through the '80s. ~ Bill Dahl, Rovi
Shalamar was the creation of Dick Griffey, the booking agent for the television R&B program Soul Train, and British R&B producer Simon Soussan. The group's first single, the 1977 Motown medley "Uptown Festival," featured a bevy of faceless studio musicians; once it became a hit, Griffey decided to form a performing group under the name Shalamar. Through Soul Train, Griffey found Jody Watley, Jeffrey Daniels, and Gerald Brown, the three vocalists that became Shalamar; Brown was quickly replaced by Howard Hewitt in 1978.
Shalamar's string of poppy dance-soul hits began in 1979 with "Take That to the Bank"; later that year, "The Second Time Around" hit the Top Ten. Throughout the early '80s the group were favorites on the U.S. R&B scene, as well as scoring a number of British hit singles. Watley and Daniels left the group in 1982 and were replaced by Delisa Davis and Micki Free in 1984; Watley went on to stardom as a solo act. The following year Shalamar won a Grammy award for "Don't Get Stopped in Beverly Hills," which was featured in Beverly Hills Cop. Hewitt left for a solo career in 1986, signaling the end of the band's career as hit-makers. Sidney Justin replaced Hewitt and the group recorded 1987's Circumstantial Evidence, which was a commercial disappointment. The group faded away soon after the release of 1990's Wake Up. ~ Stephen Thomas Erlewine, Rovi