Compositing posts results 1-15 from 147

 
  • CGCookie - Compositing a 3D Monster into a Live Action Scene
    CGCookie - Compositing a 3D Monster into a Live Action Scene
    MP4 | Audio: aac, 44100 Hz, mono | Video: h264, yuv420p, 1280x720, 30.00 fps | Blender 2.70 | 944Mb
    Genre :eLearning

    In this course I will show you some of the major stages of a Visual Effects (VFX) pipeline by doing a fun little project: Compositing a 3D monster into some life action footage. The scope of this course is speficficaly teaching you the VFX skills so we won’t be focusing on modeling and animation much. We are going to grab a pre-modeled and pre-rigged character from Blendswap, made by Theory Animation: George.
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  • KelbyOne - Creative Compositing Part 2: Putting it Together in Photoshop

    KelbyOne - Creative Compositing Part 2: Putting it Together in Photoshop
    English | .mp4 | AVC 1280x720 15 fps | AAC 96 Kbps 48.0 KHz | 1.05 GB
    Genre : eLeanring

    Join legendary commercial advertising photographer Joel Grimes as he shares his best creative Photoshop techniques, tools, and tips and tricks that will teach you how to "sell the fake" and create breathtaking, professional composite portraits.
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  • KelbyOne - Creative Compositing: Professional Techniques for Composite Photography
    KelbyOne - Creative Compositing: Professional Techniques for Composite Photography
    English | .mp4 | AVC 1280x720 15 fps | AAC 96 Kbps 48.0 KHz | 690 MB
    Genre : eLearning | photography

    Learn how the top commercial advertising pros create stunning composite portraits, with Joel Grimes and Matt Kloskowski. In this part one of a two-part series, Joel takes you behind the scenes and walks you through every aspect of his creative process. By the end of the class you’ll know exactly how the pros do it, and learn to shoot your portraits with more creativity and confidence than ever before!
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  • After Effects Compositing Essentials: Advanced Matching and Looks
    Lynda - After Effects Compositing Essentials: Advanced Matching and Looks | 2.08GB
    Duration: 2h 09m | Video: AVC (.mp4) 1280x800 30fps | Audio: AAC 44.1KHz 1ch
    Genre: eLearning | Level: Intermediate | Language: English

    Incorporating a 3D camera into an otherwise 2D shot, or mixing 3D and 2D layers together brings 3D reality to the 2D screen. But there's more to it than simply adding a camera or camera track to a composition. You need to match the characteristics of a real, physical camera: replicating how it sees the world. You need to match the color of the original shot, or maybe even make creative adjustments. You might need to tweak the lighting, match motion blur, or compensate for lens distortion. You might even want to take advantage of high dynamic range (HDR) imaging techniques or experiment with different filmic looks. In this course, Mark Christiansen takes you through these scenarios and the next step in After Effects compositing: matching a shot and making it look not just realistic, but cinematic.
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  • Blender Compositing and Post Processing (EPUB, MOBI)

    Blender Compositing and Post Processing By Mythravarun Vepakomma
    2014 | 114 Pages | ISBN: 1782161120 | EPUB + MOBI | 13 MB + 17 MB
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  • After Effects Compositing Essentials: Matching Foreground to Background
    Lynda - After Effects Compositing Essentials: Matching Foreground to Background | 3.18GB
    Duration: 2h 00m | Video: AVC (.mp4) 1280x720 30fps | Audio: AAC 44.1KHz 1ch
    Genre: eLearning | Level: Intermediate | Language: English

    Creating a moving shot that is made up of disparate elements and looks as though it was taken all at once, with a single camera, is the very core of visual effects compositing. To make the effect look natural, compositors also need a deep understanding of how to match color, light, and phenomena specific to the camera, including grain and depth of field.
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  • Digital Tutors - Compositing a 3D Ogre into a Live Action Scene in NUKE and Houdini
    Digital-Tutors - Compositing a 3D Ogre into a Live Action Scene in NUKE and Houdini | 2.74GB
    Duration: 5h 06m | Video: AVC (.mp4) 1280x720 15fps | Audio: AAC 32KHz 2ch
    Genre: eLearning | Level: Advanced | Language: English

    Throughout these tutorials we will be learning the pipeline workflow for live action/CG incorporation using NUKE and Houdini.
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  • Bluescreen Compositing: A Practical Guide for Video & Moviemaking (Dv Expert Series)
    Bluescreen Compositing: A Practical Guide for Video & Moviemaking (Dv Expert Series) by John Jackman
    2007 | ISBN: 1578202833 | English | 248 pages | PDF | 37 MB
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  • Tutsplus - Compositing Masterclass
    English | April 14, 2014 | .MP4 | Audio: aac, 44100 Hz, stereo | Video: h264, yuv420p, 1280x720, 23.98 fps(r) | 1.34 GB
    Genre: E-learning

    Compositing is the process of combining images or videos together to create a convincingly unified end result. In this course, you'll master compositing techniques with professional masking tools, advanced blend modes, and more. As you learn, you'll work through real projects, such as creating a UFO scene
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  • Photoshop CS6 Compositing v1.0

    Photoshop CS6 Compositing v1.0 | 6.36 Mb

    Requirements: Android 2.2 and up
    Overview: CREATE STUNNING COMPOSITING USING PHOTOSHOP CS 6
    Learn how to use the power of Photoshop CS 6 to create great composite. You will learn how to extract your subject, create an amazing background and blend both images together. With the power of Photoshop this style is more popular then ever.
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  • Blender Compositing and Post Processing
    Mythravarun Vepakomma, "Blender Compositing and Post Processing"
    English | ISBN: 1782161120 | 2014 | 114 pages | PDF | 4 MB
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  • CGWorkshop - Render & Compositing Breakdown
    WEB-Rip | MP4 | H.264 @ 2 Mbit/s | 1280x720 | AAC Stereo @ 256 Kbit/s 44 KHz | 3.7 GB
    Genre: V-Ray Workshop | Language: English | Working Files Included

    Following the great success of its international V-Ray workshops, in 2013 Light Render Group will visit Mexico, Peru, Colombia, Chile, Argentina, and Spain as part of its third V-Ray Tour.
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  • Photoshop Masking and Compositing: Advanced Blending with Deke McClelland
    Photoshop Masking and Compositing: Advanced Blending with Deke McClelland
    MOV + Exercise Files | Duration: 4h 3min | 960x540 | Video: 30 fps 1360 kbps | Audio: AAC 48KHz 96 kbps 2 stereo | 1.37 GB
    Genre: eLearning | Level: Intermediate | Language: English
    Mirrors: Uploaded | RapidGator | Turbobit

    Advanced Blending is the second installment in Deke McClelland's series on making photorealistic compositions in Photoshop. The course explores blending options and shows how to use them to create sophisticated effects and seamless compositions, often without masking. Beginning with the basics of blending layered images, the course sheds light on the formulas behind the Photoshop blend modes and shows how to comp scanned line art, create double-exposure effects, correct skin tones, and work with the luminance sliders.

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  • Digital-Tutors - Compositing a 3D Ogre into a Live Action Scene in NUKE and Houdini

    Digital-Tutors - Compositing a 3D Ogre into a Live Action Scene in NUKE and Houdini | 2.74GB
    Duration: 5h 06m | Video: AVC (.mp4) 1280x720 15fps | Audio: AAC 32KHz 2ch
    Genre: eLearning | Level: Advanced | Language: English

    Throughout these tutorials we will be learning the pipeline workflow for live action/CG incorporation using NUKE and Houdini.
    We'll start by creating the matchmove camera track from our footage and from there move into Houdini for setup. We will then animate, light, and render an ogre gone amuck in Chicago. Moving back into NUKE, we'll composite multiple passes to give us the final shot.
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  • VFX Techniques: Space Scene 02: Compositing in After Effects | 291MB
    2h 7m | Intermediate | Feb 18, 2014 | Video: AVC (.mp4) 960x540 15fps | Audio: AAC 48KHz 1ch
    Genre: eLearning | Language: English

    What makes a 3D space battle even more spectacular? Compositing in Adobe After Effects. Learn to take the render-pass sequences of the spaceship versus asteroid scene you created in part 1 of this series and recombine them in After Effects. Author Lee Lanier shows how to integrate shading and color in your render passes, animate the flames emitting from the spaceship, and create a particle simulation that makes the asteroid explosion seem more realistic. You'll also learn to replicate glows, lens flares, film grain, and camera motion along the way.
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