Master Anthology of Fingerstyle Guitar Solos, Vol. 3
Mel Bay | 2005 | ISBN: 0786670290 | 104 pages | PDF + MP3@128 kbps | 114.38 Mb
Twelve accessible solos in several styles and tunings from various parts of the world. Includes works by: Stephen Bennett, Tom Doyle, Howard Emerson, Joлl Fafard, Tim Farrell, Simon Fox, Richard Gilewitz, Paolo Giordano, Phil Heywood, Sean McGowan, David Qualey, and Brad Richter. Written in standard notation and tablature for the intermediate to advanced guitarist.
Master Anthology of Fingerstyle Guitar Solos, Vol. 2
Mel Bay | 2001 | ISBN: 0786660708 | 80 pages | PDF + MP3@128 kbps | 45.3 Mb
This collection of twelve challenging fingerstyle guitar solos in notation and tablature presents works by both relative newcomers and seasoned world-class performers. This eclectic group of compositions should appeal to players and listeners alike, be it country, blues, ragtime, jazz, Celtic, or gorgeous ballads that suit your fancy. It will require serious practice for most guitarists to master these tunes, but the rewards should be commensurate whether you play strictly for your own enjoyment or make your living in whole or in part as a guitarist.
Master Anthology of Fingerstyle Guitar Solos, Vol. 1
Mel Bay | 2000 | ISBN: 078665290X | 408 pages | PDF + MP3@128 kbps | 424.23 Mb
This anthology includes both new pieces and outstanding previously published fingerstyle tunes. Veteran performers and talented young upstarts are given a forum for their best work. Includes 3 CD's! Intermediate to advanced in difficulty with nearly all pieces appearing in standard notation with tablature.
Homespun - Essential Exercises for Fingerstyle Guitar taught by Peter Huttlinger
DVDRip | English | AVI + PDF | 256 x 176 | XviD ~697 kbps | 29.97 fps
MP3 | 128 kbps | 48.0 KHz | 2 channels | 01:09:56 | 422 MB Genre: eLearning
An accomplished fingerstyle guitarist needs to have full control of his or her picking hand along with a complete knowledge of the guitar fingerboard. Peter Huttlinger provides you with the advice, practice routines and exercises that will enable you to play with good tone, strict timing and confidence.
Peter Hutlinger - Essential Exercises For Fingerstyle Guitar
English | AVI | XVID 839 kbps 29.970 fps | 256x176 | MP3 128 kbps 48 KHz | 1h09mns | 419 MB Genre: elearning
An accomplished fingerstyle guitarist needs to have full control of his or her picking hand along with a complete knowledge of the guitar fingerboard. Peter Huttlinger provides you with the advice, practice routines and exercises that will enable you to play with good tone, strict timing and confidence.
Hands down, Tommy Emmanuel is the most charismatic, soulful, accomplished and technically
brilliant fingerstyle guitar player walking the planet today.
Tommy is also extraordinarily inventive on the fretboard, which makes learning his songs, and
playing them correctly, extremely challenging because it's so difficult to discern exactly
what Tommy is doing with both his right and left hands.
TrueFire and technology to the rescue! For the first time ever, Tommy teaches 5 of his most
popular tunes and arrangements with interactive multi-angle video software featuring zoom,
looping, angle control, standard tab, notation, PLUS Power Tab and Guitar Pro files!
If you're expecting some nice safe guitar muzak, then you're in for a real shock! Rick Ruskin's remarkable style captures all the nuances of a band/rhythm-section and transforms the parts into amazing, in-the-pocket fingerstyle grooves like you've never imagined on a single guitar! Split-screen video format covers: right- and left-hand technique, walking-bass and counterpoint lines, open-voiced triads, simultaneous bass/rhythm/lead parts, pedal-steel effects, double-stop bends, harmonics and more. The techniques are immediately put to use in extraordinary instrumental versions of: Rikki Don't Lose That Number (Steeley Dan), Georgia On My Mind and four originals, each in standard tuning. His meticulous blow-by-blow analysis of each phrase is loaded with variations and insight that show how to transform the essence of any tune into dynamic arrangements of your own. Truly an important work that should not be missed!
TrueFire David Hamburger's: Fingerstyle Blues Handbook Vol. 1
eLearning | 40 Video Segments | 246 minutes | Interactive Software | 1.5GB Download: Fileserve&Filesonic
Step between the covers of the Fingerstyle Blues Handbook and let David Hamburger introduce you to the solo instrumental world of fingerstyle blues guitar. Ideal for lifelong flatpickers, this progressive series of lessons will soon have you thumping and grooving on twenty deep blue instrumentals, enough to keep you picking on the porch for hours on end.
Al Petteway - Celtic Instrumentals For Fingerstyle Guitar Vol. 2
DVDRip | 2004 | AVI | XviD | 608×464 | 29.970 fps | MP3, 128 kbps Language: English | Total Time: 01:07:33 | 525 MB
Al Petteway continues his excellent lesson with five beautiful and evocative guitar instrumentals in the Celtic style. This time, he covers songs and effects that can be attained through a variety of tunings, including standard, dropped-D, open G and low C.
Al Petteway - Celtic Instrumentals For Fingerstyle Guitar Vol. 1
DVDRip | 2004 | AVI | XviD | 608×464 | 29.970 fps | MP3, 128 kbps Language: English | Total Time: 01:05:34 | 505 MB
Learn to play in DADGAD, the popular guitar tuning that gives many Celtic and British Isles instrumentals their special beauty and power. Al Petteway shows you how to play exquisite arrangements using droning bass notes, slides, bends, trills and other guitar tricks to imitate the haunting sounds of harps and pipes.
Buster B. Jones: Fingerstyle Guitar from the Ground Up Vol.1
DVDRip AVI | 1:16:58 | DivX, 2137kb/s, 29.97fpsr, 720x540 | MP3, 320 Kbps, 48000Hz | 1.15 GB Genre: eLearning | Language: English
So you’re interested in learning how to play fingerstyle guitar. In this lesson Buster B. Jones will take you from the very basics and start you on the road to fingerpicking. Buster’s no nonsense and clear instruction will have you picking melodies in no time. You’ll find phrase by phrase instruction for all the exercises and songs. Split-screen techniques are featured so that you can study and clearly see what each hand is playing.
Buster B. Jones - Fingerstyle Guitar from the Ground Up Vol. 1
DVDRip | 2001 | AVI | DivX | 720×540 | 29.970 fps | MP3, 320 kbps Language: English | Total Time: 1:16:58 | 1.15 GB
So you’re interested in learning how to play fingerstyle guitar. In this lesson Buster B. Jones will take you from the very basics and start you on the road to fingerpicking. Buster’s no nonsense and clear instruction will have you picking melodies in no time. You’ll find phrase by phrase instruction for all the exercises and songs. Split-screen techniques are featured so that you can study and clearly see what each hand is playing.
Buster B. Jones - Fingerstyle Guitar from the Ground Up Vol. 2
DVDRip | 2001 | AVI | XviD | 640×480 | 29.970 fps | MP3, 160 kbps Language: English | Total Time: 1:03:55 | 478 MB
In this second volume of Fingerstyle Guitar From The Ground Up, Buster B. Jones continues to show you all the tricks of his trade so that you'll be able to fingerpick in the style of Merle Travis and Chet Atkins. Buster's clear and down to earth explanations will have you fingerpicking in no time. You'll find phrase by phrase instruction for all the exercises and songs. Split-screen techniques are featured so that you can study and clearly see what each hand is playing. You'll learn: More right hand patterns; Right hand rolls; More chord movements and Fretboard logic.
Medieval & Renaissance Music - For Fingerstyle Guitar
taught by John Renbourn
DVD5 | English | DVD Video +(.pdf) Booklet | 720x480 | MPEG2 ~6078 kbps | 29.97 fps
AC3 192 kbps, 48kHz, 2 ch | 01:35:00 | 4.21 GB Country: England | Genre: eLearning / Playing the guitar (2007)
For some time now, I have periodically made transcriptions of early pieces mainly for my own enjoyment. My interest in early music runs parallel to my interest in Western folk music. It was, and still is, intriguing to consider the characteristics that are common to both. I discovered that even whole pieces, thought to exist in manuscript only, occasionally cropped up remarkably intact in current folk playing, and instruments long assumed silent were found to be still sounding in remote areas of Europe. I began by taking a medieval dance tune and treating it as I would a jig or reel, or drawing on contrapuntal practice in making arrangements of folk songs.
